« The woven composition of A Hollow Full Thing (2019) taps into this common history of plants circulation and transplantation. Exploring the artificial landscape of Australia, resulting from the colonial appropriation of land and knowledge, Sarah Sandler arranges works, of an evident tactile materiality, in a silent choreography. Seen from the window of Lokal-int, her installation allows for a non-penetrative gaze and presents "hollow full" hand-blown glass and skeletal earth sculptures replicating the predecessors of the flexible bag or hermetic container. » [...] 

— Clelia Coussonnet, excerpt from a text written for the exhibition