Texts
STATEMENT
By Damir Radovic
STATEMENT
By Damir Radovic
Interview with Pascal Thevenet
For the exhibition 28 juin après : Don't shoot, I'm a phantom, Bourse du Travail, Valence, 2022
Interview with Pascal Thevenet
For the exhibition 28 juin après : Don't shoot, I'm a phantom, Bourse du Travail, Valence, 2022
Pascal Thevenet : The City of Valence has this particularity, for the appel for contemporary art projects, of proposing a phrase, a locution. For 2022, it is « l’espace d’un instant ». How do you, artist, receive this orientation?
Damir Radović: I found it interesting that every time there is a sentence1. That’s what pushed me to respond to start building a project. The sentence was the trigger and persuaded me to think about it even before I knew the conditions of participation. My artwork, viewed from a certain angle, could fit the proposed phrase. Even if the title of the exhibition is now different, the central work, created for this event, evokes the space of an instant when everything changes or can change. To change the world in a second is when a story becomes stories. An instant, it is uncertain like the art and the world in which we live.
P.Thevenet: You have experienced a war. Your work, taken as a whole, reminds me of the remnants of your experience: fragmentations, slogans, glimmers, disorders. What can you say about it?
D. Radović: Yes, I have experienced peace, war, exile… I have become a fragment of something that no more exists, like a nameless gem. A diaspora. So I try to put order in the disorder. Words in slogans. History in the stories. Territory in territories.
There is an example, the pomegranate, this fruit, enclosed in a single skin, also evokes « destruction and death ». Why? In order for its seeds to spread, the pomegranate itself dislocates because it needs to burst to ensure its descendants.
For me, the transmission of memory is very important. I use the collective memory of cinema, literature, history, geography… These are the data, the disseminations of reality.
I research an act of permanent manifestation, a way for me to fight daily against amnesia, by inviting to the reflection.
As an artist, I want to express my opinions as much as my unsuccessful attempts to change the life of the society we live in.
Personally, I can’t change the course of events. I can only offer to other people a little dose of cynical humor at the crossroads. As an actor in this boring world to live in, I try to alleviate this chaos with my artistic contribution.
Entrefaites
Par Xavier Jullien
Pour l'exposition Entrefaites, Centre d'art Madeleine Lambert, Vénissieux, 2017
Entrefaites
Par Xavier Jullien
Pour l'exposition Entrefaites, Centre d'art Madeleine Lambert, Vénissieux, 2017
Rétrospectivement agile
Par Aurélien Pelletier
Pour l'exposition Rétrospectivement agile, Espace Vallès, Saint-Martin d'Hères, 2013
Rétrospectivement agile
Par Aurélien Pelletier
Pour l'exposition Rétrospectivement agile, Espace Vallès, Saint-Martin d'Hères, 2013
Interview with Cindy Tereba
For Lepsien art Foundation, 2012
Interview with Cindy Tereba
For Lepsien art Foundation, 2012
On a merdé en Europe
Par Jean-François Caron
Publié sur gueulart.wordpress.com, mai 2011
On a merdé en Europe
Par Jean-François Caron
Publié sur gueulart.wordpress.com, mai 2011
Damir Radović - On the edge of reality
By Markus Kersting, historien de l'art, 2011
Damir Radović - On the edge of reality
By Markus Kersting, historien de l'art, 2011
Un nouveau barbare
Par Dean Inkster, 2002
Un nouveau barbare
Par Dean Inkster, 2002
Other texts online
-
Entretien avec Jongyeon Park et Julie Rodriguez-Malti
Dans le cadre No More…, Hors-les-Murs de Néon, 2017
-
Le sacre d'un cri
Par Anaïs Delmas, 2014
À propos de l'exposition Memory Lane, Galerie du jour - agnès b., Paris -
Texte de Pierre Curtin
À propos de l'exposition 7events bros, Galerie Duplex100m2, Sarajevo, 2014
-
Shoelaces are Undone and Zagor against Zagor
By Naomi Hennig
Published in Spaceship Yugoslavia - The Suspension of Time, NGBK, Berlin, 2011